The only person that I lie to is myself
It takes true commitment, lying to oneself
But stick around, you'll soon learn to apply yourself
Coz five a day is recommended for good health
We both made it our lives work, to make each-others a misery
We both made it our lives work, to make each-others a misery
This dead end means everything to me...
So let's
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Now you've got it, time for us to raise our game
Looking first-class whilst chewing glass is the aim
Commitment's vital, remember, there's no shame
Till death do us part so better change your name
We both made it our lives work, to make each-others a misery
We both made it our lives work to make each-others a misery
We both made it our lives work, to make each-others a misery
We both made it our lives work to make each-others a misery
We both made it our lives work to make each-others a misery
We both made it our lives work to make each-others a misery
This dead end means everything to me
(You're the cage and I'm the key)
This dead end means everything to me
(You're the cage and I'm the key)
So let's
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
Get inside, go nowhere
credits
from Place//Circumstance,
released May 26, 2023
Beren Matthews - Lead Vocals, Guitar, Bass, Synth
John Logan - Guitar, Synth, Vocals
Sam Downing - Drums
Written, Recorded & produced by Beren Matthews at The Cave, Cornwall.
Additional production & mastering by John Logan.
"Grip-Like Vice, an edgy, modern powerpop quartet from Cornwall, UK who have the hooks, harmonies, and energy to light up
the entire city of...Cornwall!" International Pop Overthrow
"Tweaking the blueprint for 21st-century UK Power Pop" Sound on Sound magazine
“High-octane, angular power pop… catchy and sardonic… accessible… new and engaging.”
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